12/7/2023 0 Comments Jamaivan dubplate pricesBut back in the 2000, 2001 when I used to play out there was loads of people. I think most of the people we used to play for in 2006, and even back in the 90s, they tended to go out late at night. Well, early days it used to be really good. Well about dancehall and soca as well, how did people react to that kind of music here? Were they quite warm towards it? And me coming from the Caribbean, I wanted to hear reggae dancehall style. I knew of Messenger, so that was the only real system I knew about back then. Scotland never really had that, besides Messenger Sound System. So sound system was never really big here for me. I wasn’t familiar with Mungo’s at that time. But they were playing reggae music, which was still good.Īnd I think just before that I’d heard of Mungo’s HiFi as well. But they really weren’t a sound system, they were just playing reggae. So before that we were just DJing, and hire if people wanted reggae music then I just play.īack then we had Unity Reggae. So that’s where it used to sit, for probably a couple of years. So after having a discussion with the people, we decided to build a system and sit it there. So by this time we were playing in the Carnival Arts Centre, in Albion Street. It was good but then once I started knowing more people I wanted to put on my own night, because before then I was just getting paid to play. There was reggae music, I used to DJ from ’96 upwards. When you started, was there already a sound system scene here ? To get a good sound, to get the sound that we really wanted, that’s why we decided to start bass warrior sound system. Except nowadays it’s quite difficult to find a place to play a big sound system.īut we started may 2006, and the reason for that was just to make sure we had our own system, instead of having to hire crappy PA system. So after that, we just been doing gigs, it’s been quite good so far. We started off with 6 bass bins, and some top boxes. So I decided to build some speakers, and set up a system. But we started because we used to have to hire equipment, and most of the time the equipment was rubbish, but you still had to pay. So, I guess the first question would be when did Bass Warrior start, and why?īass warrior started 8 years ago, so that would be 2006. Kenny from the mighty Bass Warrior Sound System very kindly sat down for a lengthy chat with us, and shared his thoughts on the early reggae scene in Scotland, the growing dubplate business, and the difficulties in connecting Scotland with sound system culture. “…And as a matter of fact, I played dubplates before and people were like “how did you get your name into that song?”, because they don’t even have a clue what it is. ![]() And me, coming from the Caribbean, I wanted to hear reggae dancehall style.” ![]() The foundation started the 'Dub For Charity' initiative last December, but opted to begin dispersing financial support to the music departments of select schools.“But that was dub music. In February, he donated $150,000 to the music department of his alma mater, Calabar High School, through his charity Big Up God Foundation Limited. He was again credited on Khaled's Grammy-nominated God Did album (2022) on the song These Streets Know My Name, which also featured Sizzla, Skillibeng, Buju Banton, Capleton, and Bounty Killer. He is the son of nine-time World Sound Clash champion Pink Panther, and in April 2021, he gained credit as a recording engineer on international superstar DJ Khaled's album Khaled Khaled on the song Where You Come From, working alongside Capleton, Buju Banton, and Bounty Killer. PantaSon operates his own dubplate agency, PantaSon Music Production Limited, and has access to the most exclusive artistes in reggae and dancehall globally. I have had talks with quite a few deejays who share that based on the artiste, they must play at two to three events just to pay for one dubplate". We are also still recovering from the COVID pandemic and the effects it posed on the entertainment industry. ![]() PantaSon said, "Young, ambitious sound system operators and deejays sometimes work regular jobs and can't afford exuberantly priced dubplates. He said that dubplates are the backbone of dancehall and reggae music as they are essential for promotion, and are often the first performance of a single before an artiste even reaches a stage. PantaSon opined that while artistes should know their value, cost-effective dubplates will help reduce fraud and incidents of spliced dubs. Dubplate specialist, recording engineer and producer Taj-Vaughn 'PantaSon' Johnson is asking reggae and dancehall artistes to consider reducing the fee they charge for dubplates to make it affordable for sound systems and deejays.
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